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JNandez Analyzes Tom Dwan's Creative Bluff in High-Stakes PLO
Live Poker & StreamingJanuary 29, 2024·1 min read

JNandez Analyzes Tom Dwan's Creative Bluff in High-Stakes PLO


JNandez delves into a high-stakes PLO hand involving Tom Dwan, played on a Hustler Casino stream. The hand, worth over a million dollars, featured a creative bluff by Dwan, leaving JNandez to question whether it was a stroke of genius or a generous gift to his opponents.

The hand began with Professor raising 2.5 BB from the hijack with a hand that included a suit from 2 to 5. JNandez noted that this was too loose; a hand of this type should have two suits, not one. Tom Dwan, on the button, had a hand that included a suit from 2 to Queen. Despite the hand not being particularly strong, Dwan's call was considered correct and approved by solvers.

Charles made a 3-bet with a two-suited hand that included 9 and 6. JNandez advised that this hand should fold, as it lacked the connectivity needed for a squeeze play. Marius, with a hand that included no suits, made a quick cold call. Charles, with only a top pair on the flop, chose to bluff with a small continuation bet of $20,000. JNandez suggested that a larger bet size would have been more effective, given Charles' shorter stack. Marius, unable to put his opponent on a hand that beat his on the flop, chose to call instead of raising. Tom Dwan, with a gutshot and a non-nut flush draw, also called. On the turn, a five of treys was dealt, and Charles went all-in for about half the pot. Marius, facing an all-in bet from Charles, decided to call, leading to a dramatic conclusion to the hand.

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Argus Riven

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Argus Riven

I've spent years at the tables — cash and tournaments — and just as long shaping poker copy behind the scenes: room reviews, bonus fine print, tournament notes. At PokerInsider I write the way I wish more sites would: clear structure, honest trade-offs, no hype. Whether you're new or already grinding, I care about what the offer actually costs you — rake, variance, and the fine print — and I treat responsible play as part of the job, not a footnote.

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